Some of the folks I work with are exceptionally good musicians –really great guitarists or sensational singers – for whom putting songwriting as a front and centre occupation is a relatively new experience. They face a disconnect between their skill level (and comfort level) for something they may have been honing for ten, twenty, thirty years and something (songwriting) that they’ve recently felt the need to focus on. It’s a particular type of frustration that presents a divide which can appear impossible to cross. Sometimes, this comes as a real surprise for the musician, but more often than not, it presents as a nagging sensation that ‘I can’t do it’ or ‘I’m not good enough’ highlighted by their contrast in seriously competent performance ability. Result – loss of momentum and enthusiasm, loss of patience, personal disappointment, and feeling, well, a bit shit!
I think this is a particular version of good old imposter syndrome. And the shock that comes from realizing that musical performance ability doesn’t have as much to do with the songwriting skill set as expected. It also means that a very good musician might actually be a rubbish songwriter at first attempt. And here’s the thing – folks that spend a lot of time working on their songs and finishing them are songwriters! They may not be famous (yet) or critically acclaimed (have mercy!), but they’re on task.
The kid holed up in his dorm room writing shitty songs is still a songwriter.
The kid worried about writing shitty songs so much he doesn't write anything...just isn't.
The feeling of not being immediately excellent can put people off trying and learning new things – including songwriting. It reduces risk taking – one of creativity’s most important tenets. It literally stops us offering ideas – however ‘dumb’ and stops us playing. (Remember, we play music!).
There are a number of ways to combat this. The first is evidence based. Look how long it took for you to really learn an instrument – lessons, training, the number of productions or gigs you’ve done. Think about applying the same amount of effort your songwriting to be of an equivalent level. How many songs have you written? Workshops or lessons taken? Seminars attended? Tutorials watched or attended? Have you had any songs performed? Sent to competitions or masterclasses? Had any independently assessed? How many songs have you co-written or let’s be honest, re-written, post critique. Here’s a very big reality check to life in the professional songwriting lane. Sure, there are levels of talent but most musicians have added a ton of homework and experience to their natural flair before they consider themselves ‘good’. Cut yourself some slack and look at the relative time/money/commitment you can or want to put into your songwriting. Any moves forward in that direction will increase your growth and output as a songwriter, one step at a time!
The second way is to amp up your creative input. This comes back to fostering your curiosity and imagination. When you’re a grownup, you sure can forget this bit! When you’re a kid, you don’t think twice. Look for ways to experience and appreciate creativity long term. Listen to your favourite songs and writers, deeply. Read up about them. Try working on things with your musical mates. Go to concerts. Go to exhibitions. Find new music. Find new songs by established artists. What are they doing? How are they doing it? Get nosey! You’ll be surprised by the habits of many artists who continually stoke their own fires to create new and distinctive work. Suddenly, the feeling of fraudulence and stalling dissipates, and profound involvement returns.
The combination of effort and enjoyment can bridge the gap between what you want to write and what you do.
Talk more soon
ps I look forward to seeing those of you coming to the Akaroa Songwriting Clinic real soon! (June 1-3)
Hi, I'm Charlotte Yates and I can help you get better at writing songs.