Song Doctor Blog
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Photo by Ivan Karczewski.
17 March 2018
Auckland Town Hall
Love Me As I Am
by Mahinaarangi Tocker
Performed by the entire cast of the Auckland Arts Festival's tribute concert.
I had the privilege of performing in a musical tribute to the late singer/songwriter Mahinaarangi Tocker last weekend on the tenth anniversary of her untimely death in 2008. She was a close friend, and while the event and its preparations elicited a high degree of emotion, it also made me think a great deal about her music and my experience of her creative process.
Mahinaarangi chose to make her music a priority. She had trained and worked as a nurse, but she actively decided her songs and her unique voice would take precedence in her adult vocational life. She described a clarifying conversation she had with her father at this time. He was profoundly aware that this was a challenging lifestyle, but wise man, supported her decision.
Estimates vary pretty wildly as to the actual amount of material generated by Mahinaarangi – in the last week I’ve seen figures cited from 600 to 1000 songs. But there was no doubt that she wrote often. There was a wellspring of words and music within her that she drew on. And it generated a significant repertoire.
She most definitely had one. Both vocally, and compositionally – from the topics she chose, the rhythm and melodic tics she wrote to the vocal inflections and largely improvisational guitar technique she played. Nothing was particularly studied – she didn’t read music or take tuition, but her songs were inherently and deeply hers, and she didn’t particularly care for comparisons!
And I mean catholic with a small ‘c’ as in her capacity to listen to other artists' music – she had one of the largest NZ album collections I’ve seen and a voracious appetite for reading all sorts, even on one tour devouring Harry Potter – the first adult I’d seen do so! She loved watching others perform across genres from folk to classical, on the marae and in church, with allies and affiliates across the musical and cultural spectrum.
She connected with many people at a highly personal and authentic level - in the music industry, in her whanau milieu, and across a myriad of causes from mental health to adult literacy, Maori rights to gay/lesbian issues. She had a view and wasn’t afraid to defend it. Though she was respectful, good humoured and polite, she could call it when needed. And when and where she could, she would help.
I hope you continue to enjoy and explore her music – it’s all over the internet, but here’s a live clip from early days. And if you have an itch, scratch it. If you have a loose end, lose it. Fill your life with things that really matter to you and forget the rest.
RIP Mahinaarangi Tocker